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Paul Gunnell, the pilot whose legacy is a lifetime of adventure

A UK coroner’s inquest has failed to find the cause of the light aircraft accident on July 13, 2017, which claimed the lives of two experienced pilots, including FCC member and Cathay Pacific Deputy Chief Pilot, Paul Gunnell. After two years commuting from the Channel Islands, Paul died two weeks before he was due to return to Hong Kong and four weeks before his second wedding anniversary. His widow, Kirsty Boazman, writes that he left a legacy of adventure, not an obituary.

Paul Gunnell in his beloved Cirrus SR22, en route from Guernsey to Normandy for lunch. Paul Gunnell in his beloved Cirrus SR22, en route from Guernsey to Normandy for lunch.

Paul Gunnell was born 50 years too late and he fell from the sky at least 25 years too early. He wasn’t a natural child of the 1960s but was better suited to the earlier decades of dash and dare. An aviator, an adventurer, a sportsman, a wit, a scoundrel, and an intellect. He was an exceptional, yet gentle and humble, modern mold of a man.

Sharing a wild expatriate childhood with his brother Jerry, in Nigeria and later Bahrain, cultivated an awe of freedom, and stirred a passion for nature’s engineering. Anyone can marvel at the sky, Paul loved its weather. Anyone can admire a bird of prey, Paul coveted its wing structure. Returning to Britain as a nine-year-old he developed a state school playground obsession with trains and planes. As a teenager, he inter-railed across Europe, hiked the Pennine Way, and flew solo at 16 – anything to avoid his mum Shirley’s driving.

The man, PG, was born to fly. His father Hugh thought so, the Royal Airforce knew so, and Oxford University gambled so. But he stumbled: mostly into campus bars after rowing or playing rugby, leaving his premature exit from Oxford the single regret in a life lived in full and open throttle. There was, somehow, a second RAF scholarship, a double-first in Engineering from Leicester and, then, eyes only for a fighter jet pilot career.

As a Flight Lieutenant with the RAF Harrier Group. As a Flight Lieutenant with the RAF Harrier Group.

Training on the Hawks ultimately led to selection as a British “Top Gun” on the Harrier fast, or jump, jets. Before that, as a student officer, PG was banished by the RAF alongside best mate Rick Offord to distant parts for flying too fancy as well as warned, penalised and court-martialled for playing too fast. There was no punishment, however, for the violation of a bombing range with his re-conditioned Volvo, probably because he and Rick collected all of RAF Cranwell’s flying awards at their 1985 graduation. The RAF made a special note that these two pilots never be posted to the same squadron, for their own good and for safekeeping of the RAF’s reputation.

After five years in Germany with the Harrier 3(F) Squadron, PG returned a Qualified Weapons Instructor to fly from Belize and Boscombe Down, then into Afghanistan with the Operational Evaluation Unit to test equipment, including the early night vision goggles. PG was at one with an aircraft. He flew with the sort of calm that comes only through an innate understanding of aeronautical machinery and movement.

There was no desire to fly the “mahogany bomber” so, in 1994, he traded the prospect of an RAF desk job for a commercial passenger flying career with Cathay Pacific, based in Hong Kong. Twenty-three years followed, on the big birds of Airbus and Boeing, as a Captain, Senior Training Captain and in management as the airline’s Deputy Chief Pilot.

Blue-sky flying around Greek’s Cyclades islands, Paul Gunnell and Kirsty Boazman. Blue-sky flying around Greek’s Cyclades islands, Paul Gunnell and Kirsty Boazman.

Those two decades were dedicated to travel and adventure. He scaled Himalayan mountains; haggled over taxi prices in the Khyber Pass; swam with turtles in the Galapagos; skied Swiss and Austrian Alps; saw sunrise over Machu Picchu; watched sunset over Petra; drove the great American highways; dived in the Philippines and Middle East; set dynamite in Bolivian mines; ran marathons in France and Scotland; peered into Ecuadorian volcanoes; slept on Caribbean beaches; para-glided in outback Australia; encouraged a stampede from a microlight in the Serengeti; crashed scooters in Italy; chased snakes in Indonesia; drank dodgy beer in most every Asian nation; ate way too many curries; and flew small planes at every opportunity. More than 18,200 total flying hours.

A natural storyteller, who was usually first to the bar and therefore an obvious candidate for FCC membership, PG could debate anything – for the intellectual gymnastics. With a brain that needed constant feeding, he tired of “wasting” time in hotels between the long-haul Cathay flights, so squeezed in a first-class Law degree. He studied, and genuinely understood: quantum physics; computer coding; machinery; grammar; bread baking; even Excel.

PG lived his 57 years with an intensity that refused to be constrained by what was considered normal, enough or expected. He caused the environment to bend around him, rather than vice versa. His was the ability to fathom a difficulty, to unravel a conundrum, and to out-think, out-plan and out-fly any predicament. He was, in thought and action, forever one step ahead of most of us. But particularly in an aircraft.

Argentina - the ice climbing phase. Argentina – the ice climbing phase.

We moved to Guernsey in the Channel Islands in 2015, where it wasn’t enough for Paul to spend his rostered time-off flying to France for lunch, Spain for an overnight or Belgium for a weekend. There was a three-week self-fly odyssey, with oxygen cannulas shoved up our noses, over the Italian then Macedonian Alps to eight remote Greek islands. His writing about the tour remains one of the most-read articles in global aviation’s The Flyer magazine. He was also a volunteer pilot for the Channel Islands Air Search Rescue and became a Qualified Flying Instructor in 2017.

He cherished flying students from a grassy UK farm strip, with two great “humps” on it, because that was how everyone should learn to fly. Early on the perfect summer evening of 13 July, 2017, PG was asked to join an experienced pilot, who was flying his own plane, for a routine check-ride. Less than 20 minutes later, both men perished in an unfathomable crash in a picturesque Wiltshire barley field. Life was an adventure and a riddle to Paul’s very last breath. We will never know what caused the crash.

Paul and I were soulmates, with a deep and occasionally dangerous connection. We took almost half a lifetime to meet but didn’t waste a moment on our serendipitous joint adventure. Paul has, unknowingly, left the indelible imprint of inspiration on so many lives and aviation careers around the world. He has also, knowingly, left me with a butchered heart, a locked laptop, and a bittersweet flying legacy.

My brilliant husband was also my flying instructor and, about two weeks after his death, I managed the final skills test in 14 months of flight training. To have given up on my Private Pilot’s Licence at that last hurdle would have upset him greatly. We had planned to fly ourselves around the world in a small plane. I know Paul has followed through with that plan, in another dimension. But it should have been here, beside me, in this lifetime.

He still soars. 

Kirsty Boazman has been a news reporter with Australian Channels TEN and 7, CEO of the Australian Chamber of Commerce in HK, and Chief of Staff to the Australian Minister for Industry and Science. She is a resident of HK.

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On The Wall: Metamorpolis by Tim Franco

Tim Franco is a Paris-born photographer who was based in China for a little over 10 years, from the mid-2000s to the mid-2010s. Franco first arrived in Chongqing on assignment with The New York Times, to cover then-party secretary Bo Xilai’s running of the city.

[ngg src=”galleries” ids=”3″ display=”basic_thumbnail”]By some counts, Chongqing is the fastest growing city in the world. By the late 2000s about 30 million people lived in the wider municipality, but only a third of that number lived in a city. Chongqing’s population was still overwhelmingly rural, and that was something the government wanted to change.

So it set a goal: In the 10 years until 2020 it would grow 10 million urban residents into 20 million.

For residents of China’s poorer western regions, the city of Chongqing represents opportunities that are both big and closer to home than alternatives on China’s richer east coast. For the central government, the city represents a “Gateway to the West”, an anchor to invigorate the economy of western China, a region home to around 600 million people.

For more than six years, Franco documented the effects that those two factors – a growing population and massive investment – had on the livelihoods of the people in Chongqing.

Metamorpolis was published in 2015. Tim Franco is now based in Seoul. 

On The Wall: Siding With Humanity, by Steve Raymer

Steve Raymer’s Wall exhibition Siding With Humanity ran at the Club from January 22 – February 17. Raymer’s long-standing role at the National Geographic magazine has taken him all over the world, as shown by the selection on these pages. From abaya-clad women in a Dubai shopping mall to a Bangladeshi girl in the country’s 1974 famine, it is the human face of global news that catches his eye.

[ngg src=”galleries” ids=”2″ display=”basic_thumbnail”]Rickshaw pullers resting in Calcutta (now Kolkata) and an elderly beggar in the city are the result of Raymer’s fascination with the city that led to a book, Redeeming Calcutta, published in 2012.

Raymer joined the faculty of Indiana University more than 20 years ago, and is a Professor of Journalism. He has won numerous awards throughout his long career, and has immersed himself in diverse projects such as recording the nomadic Nentsy in Siberia, life in Hoi An, Vietnam, and opium addiction among the Lisu hill tribe in the Golden Triangle of South East Asia.

Sue Brattle

All photographs © Steve Raymer/National Geographic Creative

On The Wall: Basil Pao on the set of The Last Emperor

The name Bernardo Bertolucci first entered my consciousness when I was an 18-year-old art student in Los Angeles. I had to write an essay on The Conformist for my Film Aesthetics class, and my film-buff room-mate and I sneaked into the theatre through the exit to watch the film, as we were always broke.  It was the first “perfect” film I had ever seen and it quite literally opened my eyes and “showed me the light”. It changed the way I “see” the world and my place in it forever.

[ngg src=”galleries” ids=”1″ display=”basic_thumbnail”]We first met in the spring of 1985 through my wife (then fiancée), Pat. She had shown her friend Joana Merlin – Bertolucci’s casting director in New York – pictures of us from our engagement party and Joana wanted Bernardo to meet me while he was looking at actors in Hong Kong. The meeting took place at his suite in the Mandarin Hotel, I was awe-struck and he was kind and generous. At one point, I related the story how my room-mate and I stole into the theatre to watch The Conformist, and without missing a beat he smiled and said, “ You owe me $3.50…” I pretended to search my pockets for the money and he laughed when I pulled out some coins, soon we were laughing together. We came to share many such moments all over the world in the years that followed – moments that I shall now forever miss.

In July 1986 I flew into Beijing to join The Last Emperor circus of 100 Italians, 20 British and 150 Chinese technicians, along with some 60 actors from around the world.  My primary role there was to play Pu Yi’s father Prince Chun, for which I spent an inordinate amount of time either on horseback or on my knees kowtowing, and sweating buckets inside heavy dragon robes in the blistering heat of the Beijing summer. As one of half a dozen Third Assistant Directors, aka Bernardo’s Eunuchs, I had interesting assignments initially, such as finding the horses for the Imperial Guard (and for myself), and organising the Peking opera for the wedding party. But as the pressure of filming built, the job increasingly involved marshaling some of the 19,000 extras that appeared in the film’s crowd scenes – which explains why I have all these pictures of “extras in repose”. It was an extraordinary experience.

The last time I saw Bernardo was at the Venice Film Festival in 2013, where he was President of the Jury. I was stunned by the toll confinement to a wheelchair had taken. He never laughed during the reunion. I was meant to visit him in Rome last year, but regrettably the meeting never happened.

I do not claim to have any special relationship with or unique knowledge of the maestro and his work, nor do I even profess to like all of his films. I am simply a devoted admirer who had been granted the privilege to witness the creation of one of his masterpieces. Showing these photographs is my way of remembering, and honouring the memory of an extraordinary friend whose vision and generosity changed my life.

Basil Pao, Hong Kong, January 2019

The death of the Cambodia Daily – and an attack on press freedom

Go back two years and the media landscape in Cambodia was very different from the pared-down press corps that covers the country’s news today. Each clampdown on independent media has seen more journalists leave – or flee – the capital, Phnom Penh. Danielle Keeton-Olsen and Jodie DeJonge lost their jobs when The Cambodia Daily was closed. Here are their stories. 

A printout of a hashtag to save The Cambodia Daily, at the paper’s newsroom in Phnom Penh A printout of a hashtag to save The Cambodia Daily, at the paper’s newsroom in Phnom Penh

When I arrived in Phnom Penh two years ago, you could walk into Red Bar – the journalists’ bar – on any given Thursday to overhear the latest conspiracy theories and tales that couldn’t be verified for print, or just recaps of the latest birthday or going away party in the reporter community. Two years passed, and with Cambodia’s English language daily papers shuttered or restrained, independent media – and the oddball cast of foreign and Cambodian journalists who gathered to drink when their work week ended – has nearly evaporated.

I’d hardly call the end of Thursday night imbibing a loss, but the end of that scene underlies the bigger issue: there are very few reporters left in the capital, or Cambodia in general, who are shining regional and international light on the country, both for its flaws and developments. With that, the real rubble lays among Cambodian journalists, who receive fewer opportunities and face harsher punishments for their reporting.

Danielle Keeton Olsen Danielle Keeton-Olsen

Cambodia was once a unique media subject:  it’s small and underdeveloped enough to register as just a blip in the global economy. But the country received far more coverage than the vibrant economies and societies in Vietnam or Malaysia because it had an established routine of independent media. Before 2017, veteran journalists described “close calls”, when a journalist was charged and tried with egregious fines or publications were threatened with closure. But the media were able to power through, until the current regime lost its tolerance for independent media and willingness to respect donors’ human rights requirements.

Shortly after The Cambodia Daily print newspaper closed amid a highly publicised tax dispute, I feared my stay in Cambodia might come to an early end, and I know some other foreign reporters felt the same as visa conditions grew more ambiguous. Once an “uncontested” reelection of Prime Minister Hun Sen and his ruling party was assured, that tension among foreign reporters faded. Instead, the pressure is borne by local journalists.

The detention and charging of two Radio Free Asia reporters gained international attention for some time after they were arrested in November 2017. That media coverage has slowed after the reporters were released on bail, even though they still face charges of illegally collecting information for a foreign source. But in addition to this case were dozens of other attempts to repress the spread of information, as the government leans into a campaign against “fake news”. Environmental activists, former opposition representatives and union members have simultaneously felt increased pressure to conform to party rhetoric.

Reporters of The Cambodia Daily working in their newsroom in Phnom Penh Reporters of The Cambodia Daily working in their newsroom in Phnom Penh

Granted, Cambodia’s independent media wasn’t a perfect system. Some of the local reporters I worked alongside either feel their English is not strong enough to pitch on their own, or they simply lack the confidence to make audacious pitches like I do. The Daily was founded under the premise that, beyond reporting critical news and analyses, it would train and empower reporters to tell stories on their own, and now that it’s gone, it’s clear it did not live up to expectations in this goal.

The Cambodia Daily lives on as a website. I’m no longer affiliated, and to my knowledge, no reporters in Cambodia are either. The other English publications – The Phnom Penh Post and Khmer Times – retain a few of the standout Cambodian reporters who cut their teeth in independent media, but their platforms are limiting.

There are rumours that foreign development organisations are planning a new independent publication, but the reality is that anyone looking to revive journalism in Cambodia has to find a new model. The tense political environment in the past year-and-a-half might have been the death punch, but like newspapers throughout the world, the independent English newspapers haemorrhaged money as news went digital, and as a result could no longer withstand the government’s blows.

Flawed but independent media is far better than nothing. There are still independent activists and journalists who are researching and writing through an independent lens, but there are far fewer people doing this, and many of the former Daily/Post foreign reporters who attempted freelance journalism have left the country. I still meet a few foreign correspondents breezing into Cambodia for short-term reporting projects, but the vibrant media scene of the past will file down with fewer Daily news sources, and general knowledge and understanding of the country will surely decrease.

Unfortunately, I’m one of the few foreign reporters still in Cambodia. And if I’m being honest, I’m probably not qualified or prepared to tell Cambodia’s stories, at least not alone. But I’m stubborn enough to still be here, and I hope with time and energy, more stubborn reporters emerge to rebuild a new scene on the ground where the Post and Daily once stood.

Danielle Keeton-Olsen interned and worked for The Cambodia Daily for just nine months before it was closed. She is a freelance reporter based in Phnom Penh who covers economy, society and environmental issues. She is also an engagement editor for investigative news startup Tarbell.

The Daily’s Last Days

The first hint that something was very wrong came in a short story posted on a sweltering Friday night in August 2017 on Fresh News, the government-aligned website. It said The Cambodia Daily, the feisty independent Phnom Penh newspaper, owed more than $6 million in back taxes.

Within days, Prime Minister Hun Sen, facing a challenging general election, described the paper as the “Chief Thief” and said the payment was due in 30 days or the American-owned newspaper should pack its bags and go.

A Cambodian man reads the last edition of The Cambodia Daily in Phnom Penh A Cambodian man reads the last edition of The Cambodia Daily in Phnom Penh

Threats against the Daily were nothing new. It had built its reputation over 24 years on its tough coverage of the government, its investigative work on illegal logging and deforestation, its attention to human rights abuses, its willingness to cover LGBTQ issues.

But this was an ultimatum of a different sort and it came as the Hun Sen government quashed dissent of all sorts in the run-up to the following year’s poll. As the government hammered the case against the paper, positioning it as a simple tax delinquency issue, even though it was anything but, the staff continued its hard-hitting journalism.

Jodie DeJonge

Some of the old-timers thought it might blow over, as so many threats over the years had also quietly disappeared. They said perhaps Hun Sen would back down at the last minute and offer a solution that would save the paper and his reputation as someone who had allowed a free press to survive.

Instead, the climate worsened. Radio stations were shuttered, reporters were charged with incitement.

Thirty days after the initial Fresh News story, the Daily prepared to close. We planned a final edition that would look back on the paper’s best work, but like many best-laid plans, the news got in the way. On the same day, the government arrested opposition leader Kem Sokha and charged him with treason. It was the biggest news story of the year.

The final headline came from a quote in the main story: “Descent into Outright Dictatorship”.

It was crushing to be in the newsroom in those last days. Everyone who worked there was truly invested in the mission of the paper, to report the news without “fear or favour.” More than 60 people faced losing their jobs and the journalists knew it would be tough to find another job in journalism.

In the end, I was one of the lucky ones. A fateful New Year’s Eve cruise on the Mekong brought me to the Phnom Penh Post. As the Managing Editor for Digital, I was responsible for creating a digital-first news environment. We were transforming the paper when it was sold last May by its Australian businessman to a regime-friendly buyer. Seventeen journalists quit in two days. I was among them. News in Cambodia has never been the same.

Jodie DeJonge was the last editor-in-chief at The Cambodia Daily, then moved to The Phnom Penh Post. Previously at the China Daily in Beijing, most of Jodie’s earlier career was in domestic bureaus of the Associated Press. She is now is a regional editor in Sarajevo for the Organised Crime and Corruption Reporting Project.

 

 

FCC charity extravaganza: partying in a good cause

Tintin, in his navy jumper and tan breeches, was pulling a rickshaw. Emily Dickinson greeted guests in her classic black dress. And the BBC’s Kate Adie was running around with her microphone.

The FCC community turned out in full force – and full fancy dress – on March 16, 2019, for the Charity Fundraiser On Assignment: Yesteryear’s Foreign Correspondent. There was a profusion of retro cheongsam, trench coats, safari suits and fedoras, many with a “press card” tucked in the rim.

Even the FCC staff, who donated their time, dressed up, joined in the dancing and had a blast.  “Any member who hasn’t been to a Club-wide party like On Assignment missed the FCC at its best,” said Douglas Wong. “All thanks to the hard work of a volunteer committee and our fantastic staff, ably facilitated by our fantastic new general manager Didier.”

Doug explained his costume as Tintin, “the first journalist hero I followed before I really knew what journalism was about”. “The party was a celebration of yesteryear’s and tomorrow’s courageous correspondents,” Doug continued. “Glasses were raised to absent friends, and making new ones.”

Each venue of the Club was transformed into a different global hotspot. The Main Bar gave tribute to some of Asia’s old warzones, with street food from Korea to Vietnam. It rocked to the sounds of Crimes Against Pop.

At the “Latin” Main Dining Room, Chris Polanco, DJ Perez and salsa dancers led the crowd through seductive dance moves, while Cuban café snacks were served on The Verandah.

Sandbags lined the stairs down to Bert’s, which was turned into a Beirut dug-out bar, with waitresses in Middle-Eastern dress and chefs carving fresh shawarma. Sybil Thomas sang sultry old-school tunes, while the Don’t Panic Band was a big hit with dancers tightly packed in front of the stage.

“It was a great party. We really enjoyed it. Everyone involved did a tremendous job and the Club looked fantastic,” said Jim Gould, dressed like a 1930s BBC newsreader.

In total, more than $250,000 was raised via the raffle, auction, items sold on the night and personal sponsorship. Thanks to revelers’ generosity, 25 refugee or asylum-seeking children will be funded for three full years of early education in Hong Kong.

* FCC members who wish to sponsor a child from Keeping Kids in Kindergarten can still do so by contacting the Front Office on 852-2521 1511.

Farewell message from the Club President, Florence de Changy

Dear Fellow Members,

This is my last message to you all as the President, since late 2017, of this extraordinary club. And it comes at a time of vibrant activity and important discussions that need to be had here.

In March, we hosted our second in-house charity fundraiser, On Assignment: Yesteryear’s Foreign Correspondent, in support of early education for the children of refugees in Hong Kong. Hats off to First Vice-President Jennifer Jett, former board member Elaine Pickering, the Charity Committee and the Club staff for their tremendous commitment to the success of this event.

L-R: Tim McLaughlin, moderator Eric Wishart, Kristie Lu Stout, and Sonny Swe. Photo: Sarah Graham/FCC L-R: Tim McLaughlin, moderator Eric Wishart, Kristie Lu Stout, and Sonny Swe. Photo: Sarah Graham/FCC

A week later, more than 120 journalists, students and friends of the club gathered for the Journalism Conference to hear about the Dangers of Being a Journalist in 2019. There were some pretty heroic figures on the stage, some of whom had been flown in by the Club from Myanmar, Turkey and the Philippines. Thanks, Enda Curran and Nan-Hie In, and your formidable A-team. You’ve done it again, even better and stronger than previous editions!

The next important FCC event is the Human Rights Press Awards, co-organised with Amnesty International and the Hong Kong Journalists Association, on May 16. The keynote speaker will be announced shortly. I would like to express my sincere thanks to Sarah Stewart, who has impeccably managed this important event on behalf of the Club since 2017.

Over the course of the last few weeks we also held an impressive string of events touching on the state of capitalism, living in the Gobi Desert during the Cultural Revolution, Russia as a declining power, religious freedom in China, Basil Pao’s iconic images of the Forbidden City from the filming of Bertolucci’s The Last Emperor, Internet censorship in China, Formula E in Hong Kong, the relevance of the UN Security Council and more… Phew!

As I write these lines, I am half recovering, half reeling from an evening of jazz and New Zealand pinot noir (my favourite) at Bert’s after hosting a stimulating dinner with Alan Rusbridger, former editor-in-chief of The Guardian. He told a full dining room that journalism is entering a completely new age, one whose consequences have yet to be seen.

Former Guardian editor, Alan Rusbridger, is interviewed by FCC President Florence de Changy on March 27. Photo: Sarah Graham/FCC Former Guardian editor, Alan Rusbridger, is interviewed by FCC President Florence de Changy on March 27. Photo: Sarah Graham/FCC

I sincerely hope that the Club will soon have the opportunity to host the Chief Executive, Ms Carrie Lam, and the Chinese Commissioner, Mr Xie Feng, to whom we have renewed invitations to speak at the Club.

The Club has been through its own little revolution in a very short period of time too as our reborn and redesigned magazine is celebrating its first birthday with this issue (many thanks Sue Brattle for having brilliantly taken up the challenge) whilst our presence on social media has rocketed, mostly thanks to our smashing social media editor, Sarah Graham.

I would also like to bring to your attention a new Fellowship that the Club is launching to support young journalists whilst honouring one of our legendary members, Clare Hollingworth (1911-2017). As you may have noticed, in recent years the Club’s membership has become younger and more gender-balanced. The Clare Hollingworth Fellowship, detailed on the website, is another step to attract the next generation of journalists. If you know an early-career journalist or journalism student who would benefit from this fellowship, please encourage him or her to apply by May 31.

The master plan produced by Purcell has now been handed in. It is a reference document that will be used in the years to come. Different options to best share its outcome with all members are being considered. We have also received outstanding design suggestions by students from the InsightSchool of Design for a refit of the basement floor. Members interested in seeing these documents are welcome to borrow them from the Office.

Since my last message three months ago, the dialogue between members who opposed the introduction of anti-harassment guidelines has continued in an open and lively debate. The good news is that we all agree on both the importance of free speech and the importance of making the Club a comfortable and safe place for everyone. This is a responsibility that all members share. Whilst the Club cannot tolerate inappropriate behaviour, I believe most situations can be resolved on the spot before they escalate. To that end, please look out for each other and speak up if intervention is required. The staff is also being trained to better handle these situations.

We will shortly consult all members and spouses through an online survey. I wholeheartedly encourage you to take part, to help us steer the Club in accordance with your expectations.

It is good for them but a loss for the Club that several excellent correspondent members of the Board are being posted outside Hong Kong. Alex Stevenson (The New York Times) has already left for Beijing and has been replaced by Jennifer Hughes from Thomson Reuters. Sarah Stewart (AFP) is assigned to Dubai, Andrew Marszal (AFP, who spearheaded the survey with Genavieve Alexander) is off to Los Angeles, and Jennifer Jett has received a scholarship to study in China. I wish them all the very best in their new endeavours and thank them very sincerely for the precious time and energy they have given to the Club.

I have been extremely encouraged by the number of members willing to stand for the next board in all three categories (Correspondents, Journalists and Associates). The FCC needs and deserves skilled, dedicated and professional board members from all walks of life. I thank them in advance for their contributions to the Club.

They will be greatly assisted in all their projects by the amazing staff the Club is so lucky to have, headed by Didier Saugy, whose arrival at the Club has been the best news for the Club in a long time. Recruiting Didier is one achievement I feel particularly happy about. Of course, I still have a long and wishful “to do list” and leave some unfinished business on the table.

I shall therefore hand over the baton of the President with both a sense of pride for what we have accomplished and of high expectations for what is still to be achieved. But I am not leaving

Hong Kong yet and will continue to enjoy the Club on a very regular basis!

Yours sincerely,

Florence de Changy

The FCC Masterplan: Our vision for a club of the future

Around a thousand members took part in a survey canvassing ideas for changes they would like to see at the FCC and the masterplan inspired by their answers is now finished. Simon Pritchard, a member of the Club’s House Building Committee, outlines its key points.

The Reception The Reception

A little over a year ago, the FCC board commissioned a master plan report that had two clear objectives. First, we wanted to know what big stuff needed fixing in our Ice House Street home. Second, we wanted to produce a comprehensive blueprint that would allow future FCC boards to plan renovations and possible use changes on a multi-year basis.

The final report was completed in March and the board is moving ahead with key recommendations. Initial efforts will focus on essential works to our external walls and so members should not be too inconvenienced in the coming year. Looking ahead, the idea is to pursue a phased upgrade to areas such as the Main Dining Room, Bert’s and our often-congested entrance lobby.

This exercise was overseen by the club’s House committee and managed by Purcell, an architectural firm that specializes in heritage projects. Purcell had a lead role in turning the old Central Police Station into the Tai Kwun arts centre, and brought along a strong team of professionals. Its first task was to conduct a detailed survey of the FCC premises, and the good news from its report is that the building remains in decent shape, with no major problems.

The Main Dining Room The Main Dining Room

Once Purcell completed the “phase one” work last May, the hard yards of planning possible changes to our major facilities began. This exercise was heavily informed by a detailed online survey of FCC members and their spouses, which drew about 1,000 responses.

The basic task was to figure out whether the club is properly arranged for the way members use it today and for how they will likely use it in the coming decade. Purcell worked with the club’s management team and board to come up with a variety of proposals for new spatial uses. These were eventually winnowed down to a final master plan, which the club has now adopted.

Bert's Bar Bert’s Bar

These choices were subject to practical considerations like our desperate need for more storage space. The final master plan can be broken down into 12 project clusters, which it is envisaged will be run over nine years.

Highlights of these proposals that will likely be of the greatest interest to members include:

  • No significant change to the Main Bar area is planned, although the ground floor office and reception area will be reduced in size to expand the lobby area available to members
  • The Hughes and Burton rooms will become a single multi-purpose lounge that can serve as a quiet room, work area, function space or music venue.
  • The Main Dining Room and Verandah will be refurbished and toilets added to the upstairs area, but there will be no big change to the spatial use.
  • The lower ground floor will be overhauled to become more modular to accommodate specific functional needs. These will include a Chinese restaurant, a smaller Bert’s Bar and pool table, expanded workroom and a new staff office.

It is not envisaged that any major changes to the overall use of space will occur until 2023 and 2024, when the club hopes to have renewed its lease. At this point, the planned upgrade to the Hughes and Burton rooms can be implemented, together with the remodelling of the lower ground floor, which will include a small expansion of the gym to add a stretching room.

The Gym The Gym

It should be noted that the key word in this exercise is “plan”. No commitments have been made and the board has said projects will only be undertaken if our financial situation allows. While the plan identifies intended use changes and broad design principles, these are not final decisions; detailed designs will be undertaken at the time of project implementation. The board expects to get plenty of feedback to its plans, and these will be factored into final decision making.

The value in this exercise is that projects can be undertaken independently of individuals who may serve on the board and champion this or that project. Over the coming decade, a high-level cost estimate by our quantity surveyor points to a cumulative spend of $36 million. Like any effort in forecasting, this one is bound to be proven wrong, however the House Committee — which includes FCC members who work as architects, surveyors and facilities managers — reckon the order of magnitude is about right.

This seems like a lot of money for the club to consider spending on upgrades at a time of uncertainty, and it is. That is especially the case when we have run deficits for the last three years. Yet by the same token, on an inflation-adjusted basis the total sum is not materially different than that spent on capital projects since the big renovations of the early 2000s. For this reason, the plan is doable and offers a clear way forward.

* Members can inquire at the front desk to view the master plan and a copy will be made available on this website.

The Workroom

The Correspondent, April – June 2019

Enemies of the People? FCC Journalism Conference explores how industry is regarded

This year’s journalism conference brought together editors and correspondents from around the region under the title Enemy of the People? The Dangers of Being a Journalist in 2019. Eleven panels and workshops looked into this and other topics, under the guidance of conference convenor Enda Curran and his team.

Speakers included conflict zone photographer Nicole Tung and Emily Steel, who kicked off the #MeToo movement with her reporting of sexual harassment for The New York Times.

Online threats and security tips, press freedom in Hong Kong, and dangers for journalists in Asia all sparked lively Q&As, alongside workshops on how to get paid what you’re worth and how to use your phone to capture news footage, among others.

FCC President Florence de Changy announced the launch of the Clare Hollingworth Fellowship, named after the late journalist and long-time FCC member, offering free Club membership and mentoring for young journalists or those training to become journalists.

Reporting Team: Sue Brattle, Christy Choi, Morgan M. Davis, Jenni Marsh

Photographs: Sarah Graham/FCC

Sketches: Andreas von Buddenbrook

Keynote Address: Insights From a Conflict Zone Photographer

Hong Kong-born war photographer Nicole Tung kicked off the conference with a powerful reflection on the challenges facing journalists in conflict zones in 2019.

Keynote speaker, war photographer Nicole Tung. Photo: Sarah Graham/FCC Keynote speaker, war photographer Nicole Tung. Photo: Sarah Graham/FCC

In Syria, the biggest threat was not the bombs, she revealed. It’s the paranoia of being kidnapped: the constant feeling that someone could be surveilling you.

Tung graduated from international school in Hong Kong with a desire to travel. That urge and her camera took her to the Arab Springs of Egypt then Libya, which she said were a “baptism of fire.” She then wound up in Syria with American journalist James Foley, who was later kidnapped and beheaded by ISIS. She said winning the 2018 James Foley Award for Conflict Reporting, named after her friend, made her feel “proud to continue the work he and others did.”

However, Tung said that her experience at the frontline had taught her that “no story is worth your life” – and that the perception of journalists in war zones has changed.

“In the 80s and 90s it was different,” she said. There was an understanding that journalists were meant to be “neutral mouthpieces”. Now, journalists are targets who authoritarian governments want to stop spreading information.

As a result, Tung said it was increasingly important to make sure our digital devices are clean – and that foreign journalists protect local reporters and fixers. When asked what her next project would be, Tung joked: “That’s a question that freelancers never have the answer to.”

Jenni Marsh

Opening Panel – Press Freedom and Dangers for Journalists in Asia

For Patricia Evangelista war is personal. That’s because the war she’s covering is the one in her home country: Philippines President Rodrigo Duterte’s war on drugs, during which so far 27,000 people have died.

As Rappler, the news outlet Evangelista works for, documents the destruction waged by Duterte – who campaigned on the promise he would kill 100,000 criminals – it has become public enemy number one. “I live where I work. It’s hard,” said Evangelista. “Everyone who speaks to me is at risk of being killed the next day.”

Stevo Stephen, left, and Patricia Evangelista. Photo: Sarah Graham/FCC Stevo Stephen, left, and Patricia Evangelista. Photo: Sarah Graham/FCC

CNN’s Will Ripley has become the network’s de facto North Korea correspondent. He described how on his first visit to the hermit kingdom he got a rare chance to interview three Americans being held there.

Ripley admitted he was so nervous for his own safety during the interview that he “didn’t have as much compassion as I needed to have” for the prisoners. Having since been detained for 36 hours in a North Korean jail “for one innocent iPhone photo”, Ripley is keenly aware of the dangers.

Meanwhile, American journalist Kevin Sites shared his experience about travelling to every war in the world in one year for Yahoo! News to show “the human effect of war” – an objective that came up throughout the conference. And risk manager for Dow Jones Stevo Stephen stressed the importance of keeping journalists – whether freelance or staff – safe in conflict zones through panic buttons on mobile phones, by getting the right visas, and paying for hostile training courses.

L-R: Stevo Stephen, Patricia Evangelista, Eric Wishart, Nicole Tung, Will Ripley and Kevin Sites. Photo: Sarah Graham/FCC L-R: Stevo Stephen, Patricia Evangelista, Eric Wishart, Nicole Tung, Will Ripley and Kevin Sites. Photo: Sarah Graham/FCC

There was a question at the end of the talk that set the room a-twittering. “Women are more emotional,” a female attendee said, asking Tung: “How do you cope with being a woman in war?” The audience laughed.

But from this not-so-well phrased question came responses that captured the perhaps unintended theme of this panel: The role emotion has to play in news coverage.

Evangelista put it most poignantly: “The moment we look at a dead body and say that’s no. 2, that’s no. 3, that’s no. 4, that’s the problem. Not that we’re male or female. I’m human first, a reporter second. If I cannot feel… then I cannot expect the person reading or watching to care. I know we have to pretend to be fearless, but I am afraid every day.”

There was solidarity from the men on the panel. Sites joked that he and CNN’s Ripley were probably the most emotional people on the panel, and AFP’s Eric Wishart admitted he had to watch Nicole Tung’s introductory video 10 times before he could watch it without crying.

Sites also called for more solidarity within the profession. “One of the things journalists haven’t been very good about is standing up for each other.”

Christy Choi and Jenni Marsh

Cultural Journalism: How Best to Cover Asian Culture and Beyond, And Avoid the Pitfalls

Rule Number One for working in Asia, be able to speak three languages. They are the best tool for digging deep into stories and finding creative ways to tell them, a skill that is increasingly necessary in China if you want to keep your sources out of trouble. Hard-hitting advice from Amy Qin, China Correspondent of The New York Times, and her fellow panelists agreed that reporting on music, film, art, TV and theatre often involves touching on politics or economics.

L-R: Enid Tsui, Amy Qin, Kurt Lin, Abid Rahman and Vivienne Chow. Photo: Sarah Graham/FCC L-R: Enid Tsui, Amy Qin, Kurt Lin, Abid Rahman and Vivienne Chow. Photo: Sarah Graham/FCC

“Visual art doesn’t attract huge audiences so you can slip under the radar,” said Enid Tsui, Senior Culture Writer at the SCMP.” But in the art world everyone has to speak English, a fact that mystifies Tsui. Kurt Lin, Senior Multimedia Producer for
SCMP
’s Morning Studio, said: “I speak Mandarin, Cantonese and English so get to cover so many more stories because I can talk to local people. There is a need to employ more bi-lingual staff here.”

Another vital skill is being able to sell your story, said Vivienne Chow, founder of the Cultural Journalism Campus. “At the end of the day, the editor will ask: Who cares? We have to persuade people that culture matters. If you’re writing for a mainstream publication, you have to make your stories relevant to the general reader.”

Digital media means there are many more ways of reporting on culture, so this is “an exciting time for experimentation”, Tsui said. However, stories that end up going global, such as the #MeToo movement, don’t always spread rapidly. “You have to evaluate, is something important for your audience,” said Abid Rahman, International Digital Editor at The Hollywood Reporter. “The movement crippled Hollywood for months from October 2017, but it didn’t filter down to some other countries for some time.”

Sue Brattle

Workshop: Covering Health and Science Journalism

In 1988, The Lancet medical journal published a paper linking the MMR jab (measles, mumps, rubella) to instances of autism and the world went mad. Later found to be based on just 12 case studies and widely disputed, it still makes medical reporters shake in their boots. Deborah Cohen, BBC Radio Science Editor, said: “Whatever is published in reputable journals, we have to be very skeptical. The BBC got this wrong, as did many others.”

So, check who has funded a paper; Is there a vested interest in its findings? And stand back and wait to do your own fact-checking, don’t rush with the herd into publishing errors and half-truths. Cohen added: “We are translators of science for the public; we have to get it right.” Panelists suggested taking online courses to keep up-to-date, build an army of experts around you but be sceptical about what they tell you, and constantly read papers/journals etc being published.

L-R: Deborah Cohen, Thomas Abraham, Preetika Rana and Richard Macauley. Photo: Sarah Graham/FCC L-R: Deborah Cohen, Thomas Abraham, Preetika Rana and Richard Macauley. Photo: Sarah Graham/FCC

Sometimes, when a science or health story becomes huge, it is taken away from specialist reporters and given to mainstream presenters and writers. That proves difficult for science specialists, as they don’t always want to share their sources but want to ensure the story is reported accurately.

Thomas Abraham, author of Polio: The Odyssey of Eradication, said: “Second-day stories are important. You can get as much new information as there was in Day One’s press release. Stay away from people who are trying to tell you something. Throw away all press releases. Everyone has got them. And nothing happens in isolation, there is always a context. It is the story that becomes an outrage, not the science, because that is how us humans react.”

Preetika Rana, Asia Corporate Reporter, The Wall Street Journal, said: “If the story is already out, you need to put accuracy before speed.”

Sue Brattle

Workshop: Mobile Video Storytelling Tools & Techniques to Produce High Quality Content

This workshop was packed with advice – and the realisation dawned that taking selfies is just about the best training you could have given yourself for filming news video footage on your phone. Aleksander Solum, Senior Video Journalist at Reuters Video News, said: “Most people watch news as much on their phone as on their TV so we are learning how we can use our phones for breaking news.” Reuters filmed the 2018 rescue of a junior football team from a Thai cave on mobile phones for 4/5 hours before other equipment arrived, Solum said.

L-R: Jarrod Watt, Diana Jou, Zela Chin, Aleksander Solum and Lisa Yuriko Thomas. Photo: Sarah Graham/FCC L-R: Jarrod Watt, Diana Jou, Zela Chin, Aleksander Solum and Lisa Yuriko Thomas. Photo: Sarah Graham/FCC

He added the kit you need to carry: A mobile phone, mobile wi-fi (stored in a waterproof bag), battery pack, microphone, gaffer tape and a selfie stick.

Diana Jou, freelance videographer and photographer, stressed the importance of planning your video shoot. “Before you shoot, ask what is your story? Explain it to yourself in one sentence. Is it visual? Is it worth taking? Lay down a structure on paper. Chose voiceover, or words on the screen. Write down the beginning, middle and end.”

The massacre at two mosques in Christchurch, New Zealand (eight days before the conference) which the shooter showed on Facebook Live before Facebook shut it down concerned Jarrod Watt, Senior Specialist Digital Editor at SCMP. He said: “It will be a debate I’ve been waiting three years for.”

Sue Brattle

Hong Kong Press Freedom – The Challenges Facing Local Journalists

Hong Kong’s press freedom gained global attention last year, after Financial Times journalist Victor Mallet was forced to leave the city. For local journalists, a contentious relationship with the Hong Kong government was nothing new.

“Among working journalists, there’s still a strong commitment for freedom of the press and freedom of expression,” said Chris Yeung, chairperson of the Hong Kong Journalists Association and chief writer at Citizen/News. But fears of government backlash have led to self-censorship by many local journalists over the years. “Reporters have to make sure their reports are not seen as political advocacy,” he said.

Mary Hui, left, and Kevin Lau. Photo: Sarah Graham/FCC Mary Hui, left, and Kevin Lau. Photo: Sarah Graham/FCC

Mary Hui, a young freelance journalist, agreed that self-censorship is a harsh reality for many. After Mallet’s expulsion from Hong Kong, Hui was prepared to write something about press freedom in Hong Kong, but her friends and family talked her out of it, questioning if she wanted to draw such attention to herself so early in her career. For journalists like Kevin Lau Chun-to of Ming Pao Group, the cost of reporting in Hong Kong can be high. Lau suffered a brutal knife attack in 2014 that left him in hospital for months, and in physical therapy until just recently.

While such attacks on journalists in the city are rare, they are real enough to many parents that they will discourage their children from pursuing careers as journalists, said Lau, telling the story of a young girl who was torn about becoming a reporter. “When one student struggles for a whole year about whether or not to go into journalism, there are many more stories about giving up,” he said.

Yeung summed up the state of Hong Kong’s press freedom as “depressing”. “Unfortunately, we can’t see a major change in political weather in the foreseeable future,” he said.

Morgan M. Davis

How to Not Get Sued

At some point during their career, a journalist is likely to print something defamatory. With or without the backing of their publication they need to be prepared for a potential lawsuit. But as laws differ globally, understanding the basics of a suit and where the burden of truth lies can be complicated.

For Hong Kong, press laws are largely in line with the UK, something that can prove surprising to U.S. journalists. Where the U.S. can rely on explicit laws, such as the Freedom of Information Act, to aid reporters, Hong Kong exists in more of a grey area.

Nan-Hie In, left, and Cliff Buddle. Photo: Sarah Graham/FCC Nan-Hie In, left, and Cliff Buddle. Photo: Sarah Graham/FCC

Unfortunately for defamation laws, the ambiguity can come at a price for journalists. “When it comes to defamation laws it’s not very friendly to journalists,” said Cliff Buddle, senior editor at South China Morning Post.

Buddle, in his unofficial role as SCMP’s legal eagle, regularly works with journalists and editors to assess the risk involved in printing certain information. While many reporters want to defend a story with “but it’s true”, defamation laws in Hong Kong put the burden of proof on the journalist, said Buddle. “Libel laws in Hong Kong favour the wealthy,” he said, adding that the risks for printing something defamatory are high.

The risk of legal action shouldn’t scare journalists away from a story, but they need to be responsible in their reporting, and be prepared to produce notes, recordings and other information should their reporting be brought into question. Hong Kong barrister Queenie Lau pointed out a handful of different defences a journalist can rely on in court, using facts and proving substantial truth to battle a lawsuit.

“It should be a question of ‘How do we get this in and make it as safe as possible?’” said Buddle of pre-publication discussions. “The question of balance is an important one.”

Morgan M. Davis

A Conversation With Emily Steel

The #MeToo movement has rocked the world in the last 18 months, putting a spotlight on sexual assault and harassment, and taking down powerful men in its wake. Behind the movement have been journalists, diligently reporting tales of harassment and the shocking numbers of allegations and lawsuits that have long been swept under the rug. Emily Steel, a Pulitzer Prize-winning reporter from The New York Times, shared her experiences reporting on U.S. television host Bill O’Reilly and the endemic harassment found at Fox News.

For Steel, the story started with former anchor Gretchen Carlson’s allegations of harassment against then Fox News chairman Roger Ailes. Carlson’s suit led to Steel and the NYT’s pursuit of other such stories, building on documents and data to share personal stories from women who faced similar problems at Fox.

Mallika Kapur, left, and Emily Steel. Photo: Sarah Graham/FCC Mallika Kapur, left, and Emily Steel. Photo: Sarah Graham/FCC

For Steel, getting the personal stories from O’Reilly’s victims proved to be challenging. Those who had approached Fox and settled harassment claims had signed non-disclosure agreements, blocking Steel’s reporting. Steel and her teammate had to look for other possible victims, cold calling them, knocking on doors and sending handwritten letters. “The thing that’s amazing about all of this is how we’ve seen these behaviours repeating,” said Steel. The pattern of abuse ultimately led Steel to find other O’Reilly victims that had previously not come forward.

O’Reilly had personally threatened Steel in the past, who was ready for the possibility of a lawsuit after her story broke. “Fox News really had a history of attacking reporters who had written critically about Fox,” she said. But Steel’s story touched a nerve in the American people, leading to massive backlash and the firing of O’Reilly.

Steel admitted that she was so centred on the Fox story that for a while she didn’t see how large the #MeToo movement could become. “We were so focused on these details [at Fox], we didn’t know what the bigger picture would be,” she said. But “[Me Too] is something that unleashed in the U.S. and moved globally”.

Morgan M. Davis

How To Get More of What You’re Worth

“Money is power and a reflection of what you’re worth.” That was the bold opening remark from a lively panel that saw the FCC conference reach out across the divide to – say it quietly – non-journalists.

HR Relationship Manager at the Bank of America Merrill Lynch, Tonia Wong Kee, reminded women to never accept the first offer they get. There’s always more cash, she said – it’s up to us to research the market and know the value of a role.

L-R: Saijal Patel, Tonia Wong Kee, Andrea Lo, Marie Swarbreck and Jodi Schneider. Photo: Sarah Graham/FCC L-R: Saijal Patel, Tonia Wong Kee, Andrea Lo, Marie Swarbreck and Jodi Schneider. Photo: Sarah Graham/FCC

Meanwhile, Saijal Patel, a former correspondent and founder of Saij Elle, made the excellent point that women are too focused on their experience matching the criteria for a new job, when they should be focusing on their vision for the role. “Women think about what they’re contributing. Men think about their potential,” she said. “People hire for potential.”

Seasoned bilingual freelancer Andrea Lo revealed that she keeps a spreadsheet of who owes her what and when – and isn’t afraid to take to Twitter to shame a severely late-paying client into coughing up the cash. Marie Swarbreck, founder of FLEXImums, was all about helping women get back into the workforce after taking a break to start a family.

The main takeaway from the event was that women should look again at how they assess their worth and options.

Jenni Marsh

Workshop: Online Security Tips & Tools Every Journalist Should Know; Closing Panel – Online Threats Journalists Face in 2019

Don’t open strange text messages. Use two-factor authentication for everything. Don’t use free hotel WiFi. Use encrypted apps. Check email URLs for any suspicious misspellings. If a link in an email opens up a page asking for logins, don’t enter anything – it’s likely a phishing attack. Train all your colleagues at a newsroom to do the same – even those who don’t think their work is sensitive enough to warrant being watched. And ultimately, get your organisation to get behind security and train people in the latest measures. These were the key takeaways of the workshop.

L-R: Lokman Tsui, Babette Radclyffe-Thomas, Sue-Lin Wong and Masashi Nishihata. Photo: Sarah Graham/FCC L-R: Lokman Tsui, Babette Radclyffe-Thomas, Sue-Lin Wong and Masashi Nishihata. Photo: Sarah Graham/FCC

But even the best-laid security plans can go awry, as Sue-Lin Wong of the FT showed with her tale of chasing a story about workers who had developed lung diseases after being exposed to construction dust in Shenzhen. It was the workers themselves who accidentally let slip to the authorities in their excitement that someone was expressing interest in their story, and ultimately scuppered her reporting trip.

“As a journalist you can do all you can to prepare, but there are sometimes factors out of your control,” said Wong. Other than the threats journalists face from people who don’t want them to report, there’s now the additional threat of online harassment and threats that can transform into very real problems. It’s something that President Trump’s rhetoric inciting hatred against journalists is having an impact on and something that social media exacerbates.

L-R: Tim McLaughlin, moderator Eric Wishart, Kristie Lu Stout, and Sonny Swe. Photo: Sarah Graham/FCC L-R: Tim McLaughlin, moderator Eric Wishart, Kristie Lu Stout, and Sonny Swe. Photo: Sarah Graham/FCC

The audience heard from freelance journalist Rana Ayyub who, since 2010, has been sent death threats, rape threats and even had her face superimposed onto pornography. She spoke of being harassed over multiple social media platforms, having her phone number and address posted online, being hospitalised for anxiety, and the additional stress that comes of being a freelancer in this situation. “You become all the more vulnerable, because you have to fend for yourself,” Ayyub said via Skype.

Sonny Swe, founder of Frontier Myanmar who spent eight years in jail, and CNN’s Kristie Lu Stout spoke of the routine harassment and threats they face both on and off screen. Swe said: “My sister is trolled. I am careful, my doors and windows are locked.” Kirstie described how she checks for exits when she’s out on a job, and said: “It’s recognising and acknowledging there is a connection, that online abuse and online hatred can take root, fester and transform into something like real-world terrorism, like we saw happen in Christchurch. That is real.”

Christy Choi

 

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