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On The Wall: HKG by Vincent Yu

Photographs by Vincent Yu from his 1998 book, HKG, and its 20th anniversary edition

Chris Patten, The Last Governor of Hong Kong, writes:

“Vincent Yu, whose work I have known for years, has in this book assembled a collection of photographs which tell us an enormous amount about the community’s history and life of Hong Kong.

[ngg src=”galleries” ids=”14″ display=”basic_thumbnail” thumbnail_crop=”0″]He became a familiar face during my years in Hong Kong and it has been a pleasure to see him on the other side of his camera on recent visits. I am sure that everybody who reads this book will feel that they have been reminded about what a great city Vincent has photographed over the years.

I hope, indeed all Hong Kong’s friends hope, that it will remain a great city with its autonomy and rule of law still in place. It is sad that anyone has to think otherwise, but recent events have not all been very encouraging except of course for the courage and principle which so many Hong Kong citizens still demonstrate.”

About Vincent Yu

Born and raised in Hong Kong, Yu has worked as an Associated Press photographer covering major news events across the Asia-Pacific region since the mid-1980s. As a close observer of Hong Kong’s social and political development, Yu has acquired a unique sensitivity towards the territory’s ever-changing cityscape and environment which are often reflected through his imaginaries.

Yu is an award-winning photographer whose works cover both the journalistic and documentary genres. He is the first Hong Kong photographer to have been recognised by World Press Photo and his works are being collected by the Hong Kong Heritage Museum.

Yu was chairman of the Hong Kong Press Photographers Association, and a founding member of the Hong Kong International Photo Festival. From 2010-2012, he operated The Upper Station Photo Gallery in Hong Kong, which showcased the works of some of Hong Kong’s most acclaimed photographers.

On The Wall: Rain, by William Furniss

William Furniss is an urbanist and architectural photographer based in Hong Kong but born in London in 1970. An early interest in science and design led to an engineering degree at Exeter University in England before beginning his photographic career in 1991. Initially taken with the idea of working as a portrait photographer, Furniss assisted luminaries of the London scene such as Patrick Litchfield and Terry O’Neill.

[ngg src=”galleries” ids=”13″ display=”basic_thumbnail” thumbnail_crop=”0″]In 1993 William was encouraged by friends who lived here to visit Hong Kong. Deng Xiaoping had reputedly said: “To get rich is glorious”, and the world’s focus had swung towards China. Fully intending to continue portrait photography, his work took a change of direction.  The alien visual landscape of Hong Kong reignited a fascination with documenting the immediate environment; the rural English landscapes of his youth were replaced by the chaotic cityscapes of Asia.

Furniss’ interest in cities led him to New York in 1999 with two years spent there developing his approach which today favours pre-visualisation of the image and camera-only manipulations to create a subjective but recognisable record of our time. His pictures are a testament to the belief that cities should be vibrant, enjoyable, sustainable, democratic places that enable a positive future for us on this planet.

William’s ongoing project, Rain, consists of photographs shot through the water rushing down the windows of Hong Kong trams, during our frequent rainstorms. With the focus on this watery plane Hong Kong is at once diffused and distilled to its essence.

Prints from this series are available for sale and enquiries of any kind can be addressed to William via his website, www.williamfurniss.com

On The Wall: Hong Kong Protests – Past and Present

Current photographs, Birdy Chu; others from FCC archive and courtesy of SCMP

“It was the best of times; it was the worst of times”

Tear gas, rubber bullets and sponge rounds became a regular sight in Hong Kong from June. The extradition bill aroused hundreds of thousands of Hong Kong people to march every weekend, creating an influential movement.

Just five years after the Umbrella Movement, this time around the scale is much larger and has been escalating week by week. The city has become a hotspot of international news.

As the weeks went by, my backpack became heavier. I now need a yellow vest, full face mask and helmet, plus an action camera when I go out filming. It is a war zone, and that’s no joke! I was hit by the water cannon mixed with pepper spray. My body felt as if it was burning and my eyes were red and injured. It is a horrible experience that no one will forget.   

Hong Kong has always been a safe and beautiful city.

Hong Kong people are always smart and strong.

Birdy Chu

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‘Stone Age’ system leaves reporters in the dark when they cover Hong Kong courts

Not much has changed for years in the way Hong Kong’s courts handle the media, leaving reporters to rely on an unspoken code of sharing any information they can get their hands on. This doesn’t bode well for the protest-related cases the judiciary will handle in the coming months. Jane Moir reports.

Journalists who regularly cover the courts in Hong Kong have an unspoken code. You can keep a scoop to yourself but are expected to share the essentials of a case with other court reporters, from writ lists to submissions by counsel.

It is a system which evolved out of necessity. On a typical day at the High Court there might be 25 hearings for journalists to cover. At the District Court, a similar figure. Add the city’s seven magistracies, the coroner’s court, and lands and labour tribunals into the mix and it would take an editorial army to do justice to the daily court diary.

In the coming months, as protest-related arrests and judicial reviews gradually trickle into the courts, journalists will have no choice but to select which cases they will cover.

Globally, as jurisdictions embrace technology and respond to dwindling journalist numbers with easier access to the courts and digitalised documentation, Hong Kong has made just incremental change over the past 20 years.

Journalists in Hong Kong are not privy to large chunks of a case: for example, witness statements which are accepted as evidence but not read out in court. Written expert reports, also deemed to be part of a case’s evidence, are not made available, even in redacted form.

In criminal cases, there has been some progress and journalists no longer have to beg friendly prosecutors to see an indictment. The High Court press office now keeps a copy for journalists to see.

But in the District Court and magistrates courts, journalists must still approach prosecutors or counsel to see what charges a defendant is facing. Although these charges will be read out in court, it requires a speedy hand to note down all the facts. The same is the case with any admitted facts read out in open court with crucial details – such as spellings of names – a reporter would want to check.

“It’s still very Stone Age,’’ says South China Morning Post court reporter Chris Lau. “When things like admitted facts are read in open court, they are read very quickly and sometimes it’s difficult to follow because we don’t have the same documents.’’

Civil cases can be particularly problematic to cover, he says, as opening and closing submissions may not be read out, leaving gaps in the facts and legal arguments for both the press and public.

These skeleton arguments are sometimes accepted by the court with only a few particular queries from the bench. It can be a hardy exercise for a journalist to piece together the gist of an argument when counsel refers to paragraph numbers rather than reading the relevant text.

Court reporters must ask counsel for a copy of their submissions, which is not always granted, although in high profile cases they are sometimes available in soft copy. At the Court of Final Appeal (CFA), counsel’s submissions are uploaded onto the CFA website “with parties’ consent”, according to the Judiciary.

In some cases, it may be only at judgment stage that the picture becomes clear. The Judiciary publishes judgments online and in recent years has tended to upload the documents the same day the decision is handed down. This is not always the case: for example, there was a two-week delay in uploading the English version of a decision to jail democracy activists Joshua Wong Chi-fung, Na-than Law Kwun-chung and Alex Chow Yong-kang in 2017.

Most judgments will give a good summary of the facts, evidence and reasoning. Occasionally however a judge will refer to a “helpful summary of the background and issues” as set out in counsel’s – unpublished – skeleton submissions, and only give a very brief outline.

Similar issues over access to the courts and case information in the UK led to a review in 2018. As a result, HM Courts published guidance on what information journalists are entitled to, as well as allowing journalists to report on cases using texts or other communications. The general starting point is that journalists should be supplied with documents and information unless there is a good reason not to.

The criminal procedure rules were also revised in October 2018 to incorporate the procedure for journalists’ requests for copies of court documents. In general, if a document has been read out in court, it should usually be provided on request – electronically, if possible.

Other jurisdictions, such as the U.S., take a different approach. To any court reporter, a browse on New York’s Supreme Court website is the stuff of fantasy: a plethora of information, from the writ and defence, counterclaim, witness statements, exhibits and even correspondence between parties.

Reporters from Hong Kong who covered the New York trial of disgraced former minister Patrick Ho in December were astonished by the wealth of case-related information they had access to, either online or available through the attorney general’s press office.

Hearings have likewise commonly been televised in the U.S. for decades. Britain’s Supreme Court began live streaming in 2014. Hong Kong’s High Court has broadcast some high-profile trials – the prosecution of former chief executive Donald Tsang and the Sun Hung Kai Kwok brothers’ trial for example – in the vicinity of the courtroom (usually the lobby outside) given seating constraints. In terms of televised hearings, the Judiciary says it is “keeping in view the developments in other jurisdictions on this front” but cites “divergent views” as being a factor in the decision that it has “no plan to introduce televised hearings in Hong Kong courts’’.

In respect of journalists’ digital access to other information such as witness statements and expert reports, the Judiciary says: “…thorough considerations need to be given and relevant stakeholders including the legal profession need to be fully consulted before a decision can be made.”

As the courts gear up to handle more and more protest-related cases, court reporters will still need their unspoken code, friendly clerks and cooperative counsel to give an accurate account of proceedings – much as they did 20 years ago.

Jane Moir writes on legal, regulatory and financial crime issues. She is a former court reporter with the South China Morning Post and was admitted as a barrister in 2012.

Family and juvenile courts present challenge, too

Hong Kong has not opted to follow the UK in allowing journalists access to the family courts. Britain has recently moved toward greater access amid controversial cases, such as a council’s decision to remove a child from her mother illegally.

Although held in private, journalists in the UK have a presumptive right to attend family court proceedings and must adhere to reporting restrictions. In Hong Kong, family courts are closed to journalists. Some judges publish judgments of family proceedings in redacted form, but it is still the practice of the court to seek permission from the parties before doing so.

In the juvenile courts, journalists may attend hearings unless the judge decides it is not in the interests of the child in question. But in some recent cases involving children arrested at the protests and separated from their parents, court reporters were barred from attending despite the high levels of public interest. The details of the case only became available when the guardians filed a judicial review and writ for habeas corpus at the High Court.

 

 

Introducing… new FCC members, October 2019

The latest group of members to join the FCC is, as always, an interesting bunch. The membership committee meets regularly to go through applications and is always impressed by the diversity of people who want to join the club.

May JamesMay James

After 15 years working with local education, raising two beautiful daughters and running a partner’s business, the time came to pick up my passion for photography where I left it 20 years ago. I have great appreciation for friends, colleagues, clients and family who have supported and trusted me and given me the confidence and opportunities to re-enter the photography world. At first capturing sporting activities, including HK 7s for SCMP, then my first exhibition in 2017, Space and Time – Hong Kong Images. Now, among many, I wear a hardhat at the frontlines documenting the recent Hong Kong protests, frequently appearing in HKFP.


Kevin NgKevin Ng

I’m an investment banker by day, musician by night. Born and raised in Hong Kong, I studied economics in the U.S. and classical music in Berlin, Germany. Outside of my day job, I am a classical clarinetist and perform regularly with our orchestra and chamber music groups in Hong Kong and abroad. In my free time, I like cooking for my friends and travelling to new places. I always love a good glass of wine or Scotch – I will accept any recommendations.

 


Caroline JonesCaroline Jones

I’m Sassy Media Group’s Managing Editor. I originally came to Hong Kong six years ago to work for Bloomberg as a TV News Producer. Before that I worked as a Senior Producer for Sky News. I grew up in Bangor in Northern Ireland and, despite having lived in Dublin, Moscow, London and Hong Kong over the past two decades, my accent never seems to get any softer! I’ve always loved the arts and spent many years treading the boards for local drama groups, once picking up a Best Comedienne award from the Association of Irish Musical Societies.


Kenji CheungKenji Cheung

After finishing my civil engineering degree in HKUST, I started my career in my family business, which is trading dental products in China and Hong Kong. In 2016, I pursued my passion and opened the menswear store Bryceland’s with my business partner Ethan Newton in Tokyo, and then opened a second store in Stanley Street, Hong Kong. My hobbies are collecting vintage clothing and items, and my favourite sport is table tennis.

 


Siddharth TiwariSiddharth Tiwari

I head the Bank for International Settlements Office for Asia and the Pacific and moved to Hong Kong last November. At heart, I am a traveller seeking new environments and challenges. In the past, I have called many places my home: New Delhi, Bangkok, London, Chicago, Washington DC, Moscow, and Singapore. In my career in economics and public policy, I have worked in nearly 85 countries around the globe. These travels have fostered a deep interest in food, music, and art. I am also an avid fan of cricket, soccer, and baseball. My wife, Bonnie, joins me in this exploration.   


Marco FoehnMarco Foehn

I arrived in Hong Kong in the early 1980s and worked as a banker for 20 years. Throughout my stay in Hong Kong, I served on various boards, from the HK Financial Markets Association to International School Boards and HK Country Club, and have always had a keen interest in serving the public at large. From 2011-17 I was Chief Operating Officer of the German Swiss International School (GSIS). I particularly adore Hong Kong’s beautiful countryside. Back in 2007, I bought WalkHK and employ eight guides showing tourists the beauty of Hong Kong.  


Fung Wai KongFung Wai Kong (Lo Fung)

To learn something new is always a challenge. To learn a new “language” in midlife is a daunting task. Yet, I decided to learn to play the saxophone at the age of 50. It was almost mission impossible for me, especially for the first year. But when you get everything right, you no longer hear just individual notes but the sound of music. That can be very rewarding. I am Consulting Editor for the Hong Kong Economic Journal and when I get stuck in my writing, I sometimes play the saxophone to relax. I may need a new pair of glasses soon as the notes seem a bit blurred lately.


Divya SahneyDivya Sahney

After a short stint as a reluctant banker in New York, I moved into advertising. As a strategic planner I developed campaigns for everything from Maltesers to the UK government. I then did freelance work on Brand India and helped women entrepreneurs. This took me from New York to London and now to Hong Kong. Along the way, my husband and I had two children and acquired a dog. The desire to give back to my country – and I guess the guilt of being an expatriate – led me to set up Hi Didi, an online peer mentoring programme for underprivileged girls in India.


Becky ChoBecky Cho

I am a Hong Kong native who has recently returned after more than two decades away, having accepted an opportunity from VF Corporation to join my fellow corporate affairs community in Asia Pacific. I’m a corporate social responsibility enthusiast and am particularly interested in playing an active role in sustainability through story-telling and partnerships with NGOs and think tanks. I first came to the FCC in the late ’80s and having lived and worked in Toronto, Taipei, Chicago and Shanghai since the ’90s, it is great to be calling Hong Kong home again. 


Alan LungAlan Lung

I was born and educated locally, later attending the University of Wisconsin in the U.S. and Wilfrid Laurier University in Canada. I chaired the Hong Kong Democratic Foundation, a political think tank (founded by Jimmy McGregor in 1989) from 1997 to 2014. I am a member of Chatham House, an international think tank. I am also a board member of Path of Democracy, a think tank founded by Ronny Tong in 2015 and am involved in managing a technology start-up incubated by the Hong Kong Science and Technology Park and Youth Innovation and Entrepreneur Hub in Shenzhen.


John NorrisJohn Norris

This is my second stint living in Hong Kong; the first was aged five, for three years, and I’ve always wanted to come back. After time in London, Zurich then Sydney, my wife and I moved here 12 years ago. Our three children were born here and we all see it as home. I’m a keen rugby player and played in Hong Kong until a serious injury stopped me. I’m still involved in the game and having managed a senior side, I now coach my children’s teams. Three years ago I took the leap into entrepreneurship as co-founder and COO of a data analytics company.


Yildiz ChoiYildiz Choi

Born and raised in Hong Kong, I consider myself a lucky girl who enjoyed the political stability and economic prosperity which allowed me to set up my own legal practice 22 years ago. Life is about seeking happiness. To me, happiness is good health and friends with shared values, plus seeing my two naughty pooches fighting. My beloved Hong Kong is now in times of turbulence and confusion. I hope that all people can gather more wisdom and walk hand-in-hand through this dark time.

 


Bruce YungBruce Yung

I was born in Hong Kong and educated in the UK (PhD in Chemical Engineering). I returned to Hong Kong with my wife and daughter from London in 1996. At a time when Hongkongers were thinking about leaving, we came back! I have since lived and worked in Beijing and Shanghai for oil and renewable energy companies, including BP and First Solar. I now work with like-minded colleagues in setting up a private equity fund to invest in energy start-ups. I like theatre, travelling and the gym.

 


Cathy YangCathy Yang

Delighted to be a returnee at the FCC. After living and working in Hong Kong for over 11 years – from covering the SARs outbreak all the way to the Occupy Central protests (and everything else in between) – I truly believe Hong Kong will always be my favourite city outside my native home, Manila, Philippines. As Anchor-Managing Editor of the ABS-CBN News Channel’s financial news programme, I travel for work, and am often in Hong Kong. As a former member of the F&B committee, I am thrilled at finding value-for-money drinks offerings on the menu.


Graham GastonGraham Gaston

I am a proud Ohio University alum (anybody else?) and was president of the 6,000 strong Metro NY Bobcat alumni group for seven years. I’ve worked at Al Jazeera, AP, ABC News, ESPN, NBC, and now Bloomberg.  All over the place, mostly in TV operations. Even a stint in reality TV. I know, gross – don’t ask! I’m very happy to be living in Hong Kong – my first time in Asia, and my first overseas gig. If you’d like to talk baseball, Brooklyn, or bowling, let me know. Also, I wouldn’t mind finding some other Bobcats or Team in Training alum!


Jenny PuJenny Pu

I am the President of the Hong Kong Neuro-oncology Society and the Chairman of the PVW Brain Tumour Foundation, raising public awareness of brain tumour and providing financial support to patients with brain tumour. Technically, I am the first female Hongkonger neurosurgeon; a Consultant in the Department of Neurosurgery at the Queen Mary Hospital, sub-specializing in neuro-oncology and skull-base surgery. I am also an Honorary Associate Professor at the Department of Surgery, University of Hong Kong, and a trainer for the Higher Neurosurgical Training at the College of Surgeons Hong Kong. I am the editor of the Molecular Biology Section of the World Neurosurgery Academic Journal.

 

 

Finding the human face in a Sea of Red

Hong Kong-born photojournalist Liu Heung Shing has been described as “The Cartier-Bresson of China” and his beautiful new book, A Life In a Sea of Red, chronicles turbulent points of history in China and Russia. Jonathan Sharp, who has known Liu since the 1980s, takes a look.

The late, great London Times correspondent David Bonavia wrote a typically entertaining book about his experiences of reporting in Russia (which expelled him) and China. Published in 1987, it is called Seeing Red.

Cadres Study Period during 1983 national congress in Beijing to mark centenary of Karl Marx’s death. Photo: Liu Heung Shing Cadres Study Period during 1983 national congress in Beijing to mark the centenary of Karl Marx’s death. Photo: Liu Heung Shing

Now, another old China and Russia hand, Pulitzer Prize-winning photojournalist Liu Heung Shing, has produced a truly magnificent volume of his images recording pivotal periods in both nations’ recent history. It’s called A Life in a Sea of Red.

I came to know Liu in the early 1980s when he was in Beijing working for the Associated Press and I was there for Reuters. Liu and his AP boss, Vicky Graham, were formidable competition professionally but also fine, generous company socially.

Students on hunger strike in Tiananmen Square, 1989. Photo: Liu Heung Shing Students on hunger strike in Tiananmen Square, 1989. Photo: Liu Heung Shing

I was lucky enough to be in Hong Kong in 1983 when Liu launched – at the FCC of course – his first book, China After Mao, chronicling how China was gradually coming out of its shell after the catastrophes of the 1966-76 Cultural Revolution.

Forward to 2008 and Liu presented at the Club his magisterial China: Portrait of a Country for which he spent four years trawling through images taken by 88 Chinese photographers covering the first decades of Communist rule.

Now, the images in his latest book, sumptuously published by Steidl, are Liu’s work alone, bringing together his stunning record of the astonishingly rapid changes he has witnessed both in China and Russia. I am proud to have all three books on my shelves.

At an FCC lunch on April 1, Liu spoke about his amazing journey. Born in Hong Kong but raised in Fuzhou in east China, Liu has stark memories of the famine resulting from the 1958-60 Great Leap Forward, seeing his neighbours with limbs and faces bloated by malnutrition. Tens of millions starved to death. Understandably that left an indelible impression.

Liu told us that his first China assignment for Time magazine, to cover the aftermath of Mao Zedong’s death in 1976, was a “miserable failure” because he couldn’t get to Beijing, where the Gang of Four led by Mao’s widow Jiang Qing were about to be arrested.

But not a complete failure. While languishing in south China on the banks of the Pearl River, he said, “I saw the Chinese with an entirely new set of body languages. Soon after Mao’s death I noticed the faces of people seemed more relaxed, their eyes less scrutinising of visitors from abroad.” He knew then that, given the chance, he wanted to return to China as a photojournalist.

Peasants at Evergreen Commune outside of Beijing toss cabbages – the only vegetable available in winter – onto a slow-moving truck in 1980. Photo: Liu Heung Shing Peasants at Evergreen Commune outside of Beijing toss cabbages – the only vegetable available in winter – onto a slow-moving truck in 1980. Photo: Liu Heung Shing

And he has seized those chances, witnessing and recording how China has moved from a life of rigid collectivism into a more individualistic style, albeit under repressive Communist rule, with smashing success. The Cartier-Bresson comparison from Newsweek is just one of his many richly deserved garlands.

So he was in China for the Democracy Wall period in the late 1970s when millions of Chinese poured into Beijing to express their grievances and sufferings. And he was in Beijing in 1989 when China stamped out the student-led protests centred in Tiananmen Square.

Liu did not take the famed “tank man” image of a lone protester facing down a line of PLA tanks. But he was instrumental in getting the precious roll of film, with that highly sensitive image on it, safely transferred across a city under martial law from the photographer, the AP’s Jeff Widener, to an office where Liu could transmit it. The unwitting “pigeon” carrying the film was a pony-tailed American backpacker.

Liu’s own image from that horrific episode, of a young loving couple with a bicycle beneath a bridge bearing tanks rolling by, also won world-spanning play. Most recently it was reprinted in the May 25 Financial Times marking the 30th anniversary of the Tiananmen crackdown.

A young ballerina has a costume fitting in Moscow, 1993. Photo: Liu Heung Shing A young ballerina has a costume fitting in Moscow, 1993. Photo: Liu Heung Shing

Liu’s time in Moscow also coincided with an equally dramatic turning-point in history, nothing less than the collapse of the Soviet Union. One of his better-known images is of Mikhail Gorbachev putting down his resignation speech on a table. Liu took a calculated risk of using a slow shutter speed (1/30 second) to show the motion of the paper being placed down. The whole picture could have been a blurry mess but Gorbachev himself came out sharply.

Liu told us about the startling changes occurring in photo-journalism – in 2017 more than 2.7 trillion images were dumped on Instagram – and that he himself no longer hurtles around to cover the world’s news hotspots.

Instead, he prefers the more gentle art of portraiture. He also looks after the ground-breaking, stylish Shanghai Centre of Photography, which he founded in 2015 as the city’s first museum dedicated to photography.

One of my favourites among Liu’s images is of a Chinese woman having an “eye job” in Beijing in the early 1980s, a procedure that makes her look more Western. That played into a cosy narrative commonly accepted at the time that as China modernised and prospered, it would become more like the West, increasingly democratic and moving closer to embracing Western liberal ideals.

That, as headlines now remind us on a daily basis, has not happened. 

A Life in a Sea of Red by Liu Heung Shing ISBN 978-3-95829-545-2, Published by Steidl, http://www.steidl.de/

Words on a page or on a screen – which one are you?

You browse on Amazon, or in a bookshop. You have shelves of books all over your home, or you have a slim device that carries your entire library. Which one are you? By Sian Powell.

The contrast was stark. There was a small part of my husband’s library of beloved books, packed into four waist-high cardboard packing cases. Heavy. Unwieldy. Smelling a bit of mould and silverfish. A bore when moving, particularly between countries.

Since we had moved from Sydney to Jakarta, back to Sydney, then to Bangkok to Hong Kong, and back to Sydney and finally back to Hong Kong, the packing case books were weighty evidence of his love for reading.

There on the floor in front of the packing cases, (artfully placed by me to highlight the difference) was a small silver iPod Touch, with my library in it.

In sheer reading terms, my library was much bigger than my husband’s, running to many hundreds of books. And of course, it was light-years more convenient. It’s far easier to slip an iPod into a pocket or a handbag than it is to get books out of bookshelves, stack them in boxes, hassle around with shippers and movers and customs agents, haul them through houses and unpack them all over again.

Sian Powell Sian Powell

Weighing perhaps a few ounces, my iPod was a breeze, as is any other similar device, or even a smartphone with a reading app.

Yes, a paper book has a certain romance. A well-thumbed hardback can have a historical patina, imbued with a musty reverence for times past, sometimes with inscriptions redolent of an earlier age – “Dearest Ethel, happy birthday from your mother, August 1934”. After all, there’s nothing very poetic about sitting in a bay window, while a piano tinkles nearby, intent on a small sliver of electronically-connected metal.

But reading is surely more than just books? It’s the words, stupid, as the Bill Clinton election team might have said.

However they are conveyed from the author’s mind to yours – it’s the ideas and the phrases that count, not their outer casing. “Real” book lovers don’t even bother countering this argument – they generally just shrug and turn to a much-loved book, wedged into a bookcase groaning with books already read and sooner or later to be read, muttering about soulless digital reading, and the real fear of library wipe-out due to electronic glitches and crashes.

Back when I was an adventurous kid, roaming the world in the days of poste restante letters and queues for pay phones, I used to yearn for books. It was only practical to carry three or at the most four in my knapsack, and I used to swap them or replace them as much as possible. Often, though, I was reduced to reading the same few again, and again, and again. One friend used to take a weighty book and rip off the read chapters as he went, so steadily reducing the weight of the single novel in his baggage.

These days, the sheer ease of reading on a device is seductive. I can hold a small paperback in one hand and, at a pinch, turn a page with my thumb. But a device is an easy one-hand hold, and a swipe of the thumb turns the page. No need to switch on a bedside light, either, which reduces marital friction for those of us who don’t sleep so well.

Device readers can roam electronic libraries full of free books – authors’ copyright expires after a while, letting readers explore the wonders of Sherlock Holmes, or Jane and Lizzie Bennet, or David Copperfield for no charge. There are even some newbie authors who self-publish their books online, hoping to attract a following.

Regarding the current angst over iPhone and iPad overuse, I don’t count reading on my device as screen time. There’s no interaction or frenzied clicking. I just turn the pages and read the words until I get to the end of the book – and that, after all, is what reading is all about.

‘Nobody ever changed the world on 40 hours per week’

Hong Kong has one of the longest working weeks in the world, but what motivates people to work hard if their career path and pay don’t match expectations? Stephanie Lin reports.

Young businesswoman in the office with her coworker at night working late.March 2019, professionals in the technology industry across mainland China protested against the 996 working week – 9am-9pm shifts, six days a week. Even though labour laws limit their workers to 40 hours a week plus 36 hours per month overtime, the 996 schedule is common among the country’s tech giants.

Overworking plagues many countries in Asia, and many professions – including journalism. Robin Ewing, director of international journalism at the Hong Kong Baptist University, estimates that although 15 to 50 per cent of fresh graduates from her programme join the industry, the number drops significantly after a couple of years working as a journalist.

Low pay, slow professional growth and long hours – even burnout – all contribute to the drain. Out of between 60-80 undergraduates from 10 years ago that she followed up, only four to five are still working in journalism, she said.

Robin Ewing Robin Ewing

However, Ewing considers the high turnover rate in the industry “normal”. “Many who study journalism do not necessarily know whether they want to be journalists,” Ewing said. 

Worried about the development of traditional media, DD, a former business reporter at the China Daily who wishes to remain anonymous, joined the public relations and investor relations industry after working four years in journalism.

“It was my plan to be in the industry for three to five years and gradually explore other opportunities in business,” DD said.

Austin Chiu, who worked at the South China Morning Post for five years as a reporter, left the industry to explore other career interests. “I love to write and that is why I chose journalism,” Chiu said. “It is a very rewarding job, though not in the financial sense.”

 

Chiu used to work an average of 12 hours a day and occasionally half a day over the weekend to report on court cases when he was a journalist. So why put up with the intrusive working hours?

The latest data by Hong Kong’s Census and Statistics Department estimate that 20 per cent of the city’s labour force worked an average 55-hour week last year. A survey by UBS in 2015 examined working hours in 15 occupations across 71 cities. Hong Kong came out top, with a 50.1-hour working week, 38 per cent above the global average.

Other local government studies have found that one in 10 employees work more than 60 hours a week and an estimated one per cent work more than 75 hours.

Lee Shu Kam, associate head of the Department of Economics and Finance at Hong Kong Shue Yan University, attributed the city’s overwork problem to its labour shortage. “Due to high rent and expenses, it has become very difficult to provide compensation attractive enough to entice those not in the labour force back to work,” Lee said.

The city’s Standard Working Hours Committee has advocated standardising working hours for low-income workers on a contract basis. Labour unions want to go further, pushing for a universal standard 44-hour working week.

Hairin Bahren Hairin Bahren

Lee says: “What Hong Kong needs is a regulation that establishes a cap on maximum working hours. Standardised working hours would only motivate those with low incomes to work even longer hours.”

Frances Yik Wa Law, associate professor of the Department of Social Work and Social Administration at the University of Hong Kong, said that the government should have a policy that supports work and life balance – although her research did not find any significant correlation between long hours alone and sudden death. “Family is the core of our values and work-life balance is essential to safeguard this pillar,” Law said.

Hong Kong’s finance sector is prey to overwork, too. LC, who wishes to remain anonymous, had a short stint at an American consulting firm after he graduated, where he worked a regular 40-hour week but decided to move to one of the Big Four accounting firms for a long-term career goal. While at the accounting firm, LC worked an average 72 hours a week.

His health and quality of life deteriorated, but LC said he is not against a 996 schedule. “It really depends on what I am expected to do during those hours and whether I will be compensated fairly either through career development or salary,” he said.

On the other hand, Hairin Bahren left the financial industry after feeling unfulfilled and opened a franchised boutique barre studio in Hong Kong.

“I think it is work-life integration – I love my work because it is very rewarding. I have direct access to the end result of our team’s efforts and see the impact we have made on our clients,” Bahren said. “Work has made my life great and it will continue to be my priority in the years to come.” 

BATTLE OF THE GIANTS

In response to a wave of protest against the 996 working week, Jack Ma, co-founder of Alibaba, issued a statement online in April, calling it a “blessing” for those who have the opportunity to work it. “In this world, everyone wants success… so I ask you all: if you don’t put in more time than everyone else, how are you going to achieve your success?” Ma said.

Across the Pacific, Elon Musk, the CEO and co-founder of Tesla Inc., is also known for working notoriously long hours and getting very little sleep. In response to The Wall Street Journal’s report on the company’s hours and high-stress work environment, Musk tweeted that “there are way easier places to work, but nobody ever changed the world on 40 hours a week”.

Stephanie Lin is a business consultant who also freelances as a journalist. Prior to her relocation to Hong Kong, she lived on both the west and east coasts in the United States where she had several stints in the public sector, including the United Nations and the White House

 

 

‘I want to safeguard press freedom’: Meet the recipients of the inaugural Clare Hollingworth Fellowship

The first two winners of the new Clare Hollingworth Fellowship have been announced as the club pays homage to the memory of one of its most famous members. Morgan M. Davis reports.

Mary Hui and Jessie Pang have been named the winners of the FCC’s first Clare Hollingworth Fellowship.

Mary Hui Mary Hui

The fellowship, which is named in honour of the club’s late legendary member and renowned journalist, was created to acknowledge early-career journalists and current journalism school students in Hong Kong, giving them access to the city’s professional journalism community through the FCC.

Candidates for the award must be a resident of Hong Kong, have at least two years of journalism experience, and be under the age of 30 at the time the fellowship begins.

“The fellowship struck me as a brilliant initiative to bring in young members to the FCC and to foster deeper connections across different generations of journalists, and I wanted to be part of it,” said Hui, of her application to the programme.

Hui, who is already an FCC member, has been working in Hong Kong since early 2018, after completing her college education at Princeton University and an internship with The Washington Post in the U.S.

She attributes her success in starting her career in Hong Kong to the support and guidance other reporters and editors have given her as she has established herself in the city. “Journalism is a community and, I believe, the better the community, the better the journalism,” said Hui.

Hui began her Hong Kong career as a freelancer, reporting for The New York Times and others, and now works for Quartz, covering business and geopolitics in Asia. “My goal for the coming year is to soak up as much knowledge as I can about covering Asia so that I can report on it more deeply,” she said. “I also want to learn more about covering finance, economics and business, given how fascinating and fast-changing those areas are in Asia.”

Pang, who is set to begin a job as a correspondent at Reuters in September, attributes her success and fellowship award to her journalism school teachers at the University of Hong Kong and her colleagues during her internship at Reuters.

For Pang, her role as a journalist is deeply tied to her ambition to provide a voice to those that otherwise wouldn’t have one, and to report on issues, such as the extradition law protests in Hong Kong, so that others can understand.

“Journalists in Hong Kong have been reporting the extradition law protests thoroughly, so that readers around the world now understand the serious consequences the extradition law amendment bill can bring, and the struggles Hong Kong people are facing,” said Pang.

Jessie Pang Jessie Pang

“Given the political circumstances, I want to safeguard press freedom and contribute to the journalism community in Hong Kong,” said Pang. “I believe the FCC is the ideal place for me to start, as the club has a long track record of standing up and speaking up for our colleagues.”

As part of their fellowship, which will run from September 1, 2019, to August 31, 2020, the winners will be given complimentary access to all FCC talks, official gatherings and conferences, as well as access to the FCC’s facilities, while having their membership fees and monthly dues waived. The women will also be mentored by a member of the FCC Board or committees.

In exchange, the winners will produce and contribute a piece – written, photographic or video – for the FCC. They will also be committee members for the annual Journalism Conference, which takes place each spring, and contribute to the FCC community.

“In its first year, we were pleased and gratified by the level of talent and potential of the applicants for the fellowship,” said Jodi Schneider, President of the FCC. “Mary and Jessie both exemplify the qualities we were seeking in fellows.

“The fellowship is a key part of the FCC’s outreach efforts aimed at diversifying the membership base and bringing younger talent into the Club.” 

Remarkable Career Of An Extraordinary Correspondent

Clare Hollingworth, after whom the FCC’s new fellowship is named, died in 2017 aged 105 after a truly remarkable life and career. She joined the Daily Telegraph in London in 1939 as the newspaper’s first female defence correspondent, and soon bagged the scoop of the century when she reported on Germany’s invasion of Poland. Her career took her to the Balkans, Greece, North Africa, the Middle East, India, Pakistan, Vietnam and then to the China of Mao Zedong. She was also a treasured member of the FCC for more than 40 years, making significant contributions to the intellectual and professional life of the club.

Clare on assignment in Palestine in the mid-1960s Clare on assignment in Palestine in the mid-1960s

 

British Chief of Defence Staff, Field Marshal Sir Peter Inge (R), is greeted by veteran journalist Clare Hollingworth 02 December as Inge arrived at the Foreign Correspondents' Club of Hong Kong to speak at a club luncheon. Photo by MANDEL NGAN / AFP British Chief of Defence Staff, Field Marshal Sir Peter Inge (R), is greeted by veteran journalist Clare Hollingworth as Inge arrived at the Foreign Correspondents’ Club of Hong Kong to speak at a club luncheon. Photo by MANDEL NGAN / AFP
Clare with Sir Edward Heath at a club function in 1987 Clare with Sir Edward Heath at a club function in 1987
Clare and Tim Page in Saigon during the Vietnam War in the early 1970s Clare and Tim Page in Saigon during the Vietnam War in the early 1970s

Obituary: Gary Ling, the calm and friendly cameraman with a love of dim sum

Cameraman and journalist Gary Ling Wah-kee, who dedicated his life to chronicling the modern story of Hong Kong, passed away on March 25 after a short illness. He was 67.

Cameraman and journalist Gary Ling Wah-kee. Cameraman and journalist Gary Ling Wah-kee.

I met him in January 2012, shortly after I had arrived in Hong Kong to work for BBC News. One of my colleagues had fixed a TV interview with British finance minister George Osborne, and I desperately needed a crew.

I met Gary at the Convention and Exhibition Centre for the Osborne interview. It was filmed quickly and efficiently. That was the start of a happy and fruitful partnership that would last for six years, during some of the most exciting and tumultuous times in Hong Kong.

I had actually heard about Gary back in 2005, when I spent a few months in Singapore working for Reuters TV. The producers were always talking about him and commenting on how good his stories were.

By that time, he was already a legend. Born and raised in Diamond Hill, the eldest of nine, Gary started in the TV business in 1975, working for Commercial TV. A year later, he would join Visnews, the precursor to what is now Reuters TV, and stay until 2012.

Gary and myself made our way to the village in a rather conspicuous yellow Honda Civic, but managed to give the authorities the slip to cover the tense standoff between the gutsy villagers and riot police. As always, Gary could be counted on to find the best local dai pai dong joints, where he would share his wealth of stories over a hearty meal and icy beers after a day in the field

As a Reuters cameraman, Gary travelled across Asia covering stories for clients and making lifelong friends along the way. He was also known for his calm, his professionalism, his warm smile and his love of dim sum.

One of those friends was Reuters correspondent James Pomfret, who called Gary “Mr Reuters”, with his camera always poised and ready.

“As a trusted colleague, we embarked on numerous adventures together through the years, from factory strikes, the 2008 Beijing Olympics, to celebrity interviews and memorably, the Wukan ‘democracy village’ protests in 2011,” he said.

“Gary and myself made our way to the village in a rather conspicuous yellow Honda Civic, but managed to give the authorities the slip to cover the tense standoff between the gutsy villagers and riot police. As always, Gary could be counted on to find the best local dai pai dong joints, where he would share his wealth of stories over a hearty meal and icy beers after a day in the field.”

Gary was also known for being generous with his time and his knowledge. I vividly remember working with him on a story after he had retired from Reuters, only to have his former colleagues ask him for help on a tricky edit or camera setting.

Venus Wu, a former Reuters colleague of Gary’s, was also one of his protégés. “Before I met Gary, my ambition was to become a print reporter. But that changed after I spent a summer with Gary as a Reuters intern in 2009. Nothing beat the thrill of jumping into Gary’s van and tagging along with him for a shoot.

“Even when we filmed the most mundane assignments, like the stock market opening for the day, Gary was professional to a fault. Whenever we were in the field, I saw how he was friendly with everybody — from the security guards to other journalists who were supposed to be his competitors.”

With Gary’s encouragement, Venus landed another internship with Reuters TV the following summer, and eventually followed in his footsteps when he retired.

Both the BBC and I were exceptionally lucky that he “retired” when he did. Gary was loyal and hardworking, and he kept fit doing archery, ping pong and other sports.

But when there was breaking news, for example the Lamma ferry sinking or the start of Occupy Central, Gary was just a phone call away. My favourite moments with him were the times in between or after jobs, when we’d try to grab dim sum. I even convinced him to volunteer at the FCC, where he was the club’s videographer.

Gary is survived by his siblings, wife, son and daughter. He will be sorely missed and fondly remembered, always. 

Juliana Liu

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